Art of the Call |
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Roseville Arts Blue Line Gallery with Kathleen Mazei posted by Chris on Jan 03, 2013Happy new year!
Art of the Call is back - now with videos of directors, artists and curators talking about the call for entry process. In this episode, Kathleen Mazei talks about the following: Planning a call The title goes everywhere - the most eye catching thing to get people to come to a call Being really clear with the instructions Consistency - Changes have to be very clear, keep everything in the same format Do not repeat yourself Make sure different spaces go together - keep things complimentary Funding Sponsorships from artists who want their names attached to the shows Local banks, Galleries Education Tour based around shows, students see art, hands on physical projects, relate techniques to kids, videos showing artists working Call deadline More submissions if the deadline is Monday or Sunday night so people have time to finish pieces Entry Fee Keep them the same for the entire year Can go up if funding other organizations $40 for 3 images and then $5 for additional images Consider the cost of having the program plus support costs (answering questions etc) Not the same stuff Keep pushing artists not to submit the same art over and over Art cannot have shown here before to be submitted The call Check spelling Check deadlines that there's enough time to jury, notifications and physically get the art to the venue. 65% hand deliver but there has to be enough time for the others. Everyone in the office has to know answers to questions Image requirements Keep them low so there are less questions/problems Raise them if there's a catalog - otherwise it's too difficult to contact artists to get hi res versions later for the catalog If the quality of the image is so bad that they can't see it then they'll tell the artist why they weren't accepted Jury The space is extremely important - pieces do have to fit - also have to take different events at the venue while the show is up into consideration Artists must stick to the theme (If an artist can explain why a piece should be in a themed show then it's ok) We use multiple jurors with point scheme, points get averaged out Artist participation We encourage artists to participate and interact with the community Social media Simply posting on Facebook does get the word out Post the deadline! Opening Community wide event - all post on social media Special hour where the artists can speak Another 3 hours where the public comes in They introduce the artists - again encouraging the artists to participate It's a big deal if artists come to the opening - get introduced to curators, the public, members of the organization Success Good flow of the show, work well presented Sales Bringing in visitors, new memberships Education it brings to the schools - they enjoy it the most There's more!Lori Zimmer, writer, curator and art consultant in Brooklyn, New York Jenn Dierdorf, Soho20 Gallery in New York, New York Lisa Scails, Cultural Alliance of Western Connecticut in Danbury Connecticut Abbie Kundishora, Creative Arts Workshop in New Haven Connecticut Is there democracy in art? We asked 30 artists, directors and curators across the country. Kim Holleman, Artist in Brooklyn, New York John Aasp, Rockport Center for the Arts in Rockport Texas Seth Boonchai, New Orleans Photo Alliance in New Orleans, Louisiana Matthew Weldon Showman, Jonathan Ferrara Gallery in New Orleans, Louisiana Jason Andreasen, Baton Rouge Gallery in Baton Rouge, Louisiana Judi Betts, Artist in Baton Rouge, Louisiana Doreen Ravenscroft, Waco Cultural Arts Fest in Waco Texas Eleanor Owen Kerr, Photographer in Baton Rouge, Louisiana Matt Werner, Arizona Artists Guild in Phoenix, Arizona China Adams, Artist in Los Angeles, California Steve Lopez, ArtZone 461 in San Francisco, California Catharine Clark, Catharine Clark Gallery in San Francisco, California Ted Gall, Sculptor in Ojai, California Daniel Stauber, The Crucible in Oakland, California Karen Gutfreund and Priscilla Otani, Women's Caucus for Art Randall Hodges, Nature Photographer in Lake Stevens Washington Arts of the Terrace in Mountlake Terrace Washington with Judy Ryan Marrilee Moore, Glass Artist in Everett Washington Schack Art Center in Everett Washington with Maren Oates Recology Artist in Residence Program in San Francisco California with Deborah Munk Eastside Association of Fine Arts in Bellevue Washington with Charlette Haugen Springbox Gallery in Portland Oregon with Erin Leonard Edmonds Arts Festival in Edmonds Washington with Patti Sullivan, Dawn McLellan and JB Halverson Newspace Center for Photography in Portland Oregon - Chris Bennett Los Angeles Center for Digital Art with Director Rex Bruce Nan Curtis, Artist in Portland Oregon Lake Oswego Festival of the Arts - Sally Hedman Sandra Banister, Photographer in Portland Oregon Mat Gleason Curator, Art Critic and owner of Coagula Curatorial art gallery in Los Angeles Viewpoint Photographic Art Center in Sacramento, California Onyx Fine Arts Collective, Seattle Washington Doña Ana Arts Council: Renaissance Artsfaire and Las Cruces Arts Fair Marin Museum of Contemporary Art (MarinMOCA) Center for Furniture Craftsmanship, Rockport, Maine Ground Arts and Rogue Space | Chelsea |
Art of the Call.Chris Ritke asks the people behind art calls for entry and shows to talk about the whys, whats and hows.Get in touch!You can contact Chris at hello at 49pm dot com or +1 415 670 9090. He'd love to hear from you!Sponsored byEntryThingy: Just copy and paste some html to receive and manage artist applications and host online and offline jurying. |